Two men sit together in a workshop, holding handmade violins, surrounded by instrument-making equipmentSights & Sounds

Daniel Smith & Richard Maxham

Daniel Smith of Lynchburg is apprenticing Richard Maxham of Alexandria, a fifth-generation violinist, in violin making and repair.

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A Legacy of Violin Making — Folklife Fieldnotes Episode 12

Richard Maxham is apprenticing under Lynchburg violin maker Daniel Smith, though the Maxham name has been intimately involved with violin making and performance for five generations.

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DIY Punk Houses and Virginia’s Punk and Metal Communities – Folklife Fieldnotes 11

Pat Jarrett and Chris Boros discuss Virginia’s robust DIY Punk communities on this installment of Folklife Fieldnotes.

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Margarita “Tata” Sanchez Cepeda y Isha M Renta Lopez (Español)

La Bomba La bomba, como dice Margarita “Tata” Sánchez Cepeda, es «todo sobre el amor. Me enseñaron bajo el amor, la bomba es una expresión del amor, y seguimos llevando …

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Ask A Punk for the Address

by Pat Jarrett When the pandemic shut down the opportunity to experience live music, I was hit hard. I started going to shows when I was fifteen. (Once, my mom …

Sights & Sounds

Margarita “Tata” Sanchez Cepeda & Isha M Renta Lopez

Bomba Dance Bomba is, as Margarita “Tata” Sanchez Cepeda puts it, “all about love. I was taught under love, bomba is a form of love, and we continue to carry …

in a small workshop, Brad crouches in front of some wood strips soaking in water. David stands in front of him and Reagan sits behind, both working on their own potsSights & Sounds

D. Brad Hatch, David Onks IV and Reagan Andersen

Four years ago, Dr. D. Brad Hatch was one of just two members of the Patawomeck Indian tribe who knew how to weave an eel pot. Now Brad is teaching fellow tribal members David Onks IV and Reagan Andersen how to make eel pots as part of the Virginia Folklife Program’s 2022-23 Apprenticeship Program cohort.

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Virginia Folklife Futures

For thirty-three years, the Virginia Folklife Program at Virginia Humanities has worked to document, sustain, present, and support cultural traditions across the Commonwealth. I began work as the third Virginia …

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Sushmita Mazumdar of Studio PAUSE

Making space for community-focused art practice When Sushmita opened the door, inviting me into Studio PAUSE for the first time, the overwhelming first impression was: Color! Sunshine streamed in through …

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We Are Part of a CommonWEALTH of Cultures

At the Richmond Folk Festival this October, we invited visitors to tell us what sorts of performances and cultural expressions they would enjoy next year and beyond.  We commissioned Sushmita …

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Richmond Folk Festival 2022 Recap

The Virginia Folklife Area at this year’s Richmond Folk Festival was a resounding success! Across the three days of the festival, October 7–9, a record-breaking 230,000 people visited the festival …

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Finding the “Nuevo South” Sound with Larry Bellorín and Joe Troop – Folklife Fieldnotes 10

Joe Troop and Larry Bellorín met in the Raleigh/Durham area of North Carolina and hit it off immediately. Joe was dealing with a shift in his musical career and Larry …

Photo of the seven men in the Chosen Few in the midst of singing, with one man foregrounded on the leftSights & Sounds

Tidewater Gospel Traditions with Rev. Tarrence Paschall and the Chosen Few on Folklife Fieldnotes 9

Rev. Tarrence Paschall has been singing with The Paschall Brothers for years, and now he’s signing with another Hampton Roads-based group keeping the Gospel Quartet tradition alive, the Chosen Few.

Virginia state folklorist Katy Clune, in a colorful shirt, poses for a portrait with violin makers Richard Maxham, left, and Danny Smith, right, in front of a cluttered workbench in Smith's shop.Sights & Sounds

Katy Clune Shares Stories and Fieldwork on Folklife Fieldnotes 8

Director of the Virginia Folklife Program Katy Clune joins Pat Jarrett and Chris Boros on this episode of Folklife Fieldnotes.