Hampton Roads, the growing metropolitan region at the convergence of the James River, Atlantic Ocean, and the Chesapeake Bay, has long been one of our country’s most musically fertile regions, producing world-class performers in a broad range of musical styles from jazz to rhythm and blues, rock and roll, and perhaps most notably, gospel. In its heyday in the early-to-mid twentieth century, the region became known internationally for its classic Tidewater Gospel Sound, sung in four-part harmony, without musical accompaniment. The Paschall Brothers are the current torch bearers of this traditional singing style.
Deep in the most rugged mountains of southwestern Virginia, on the slopes and in the hollows of Mt. Rogers and Whitetop Mountain, a rich tradition of old-time music has endured through many decades of changes. As the popularity of bluegrass, rock, and rap flooded the country, and as the popularity of old-time music came and went, and arose again throughout the Appalachians, the old-time musicians of the Whitetop area maintained their pure, rich musical heritage like burning embers in a banked fire.
Nathaniel Hawthorne “Nat” Reese was born March 4, 1924 in Salem, Virginia to Thomas Walker Reese and Rosa Sylvester Caroline Wilson Reese. Thomas was originally from Montgomery, Alabama, and Rosa from Bessemer, Alabama. The family had previously lived in Florida and Georgia before coming to Virginia to, as Nat puts it, “get away from the cotton fields.”
As this recording demonstrates, Eddie Bond has talents that can bring an audience out of their seats. He is a powerful singer in a soulful Blue Ridge Mountain tradition, as well as one of the most respected old-time fiddlers in the Blue Ridge.
Linda and Sammy come from legendary musical communities on Virginia’s Crooked Road. The Meadows of Dan and Clayman Valley are tiny mountain places separated by 150 miles of hairpin turns, old mills, crossroads stores, mom and pop eateries, and towns with one stop light or none, but only 90 miles by the way the crow flies.
Quilting, a method of sewing together two or more layers of material to make a thicker material, has been practiced for thousands of years. While the term “quilting” technically refers …
Sean Samoheyl is a resident of the Twin Oaks Community in Louisa County—an intentional community founded on the principles of egalitarianism and sustainability. One of numerous intentional communities created in …
Many forms of traditional music in Virginia have risen from the church, and the Apprenticeship Program has featured many different styles of gospel singing, including Tidewater gospel singing, Old Regular …
A few years back at his Hills of Home Festival in Coeburn, Virginia, Ralph Stanley brought out a special guest during his set that he and his wife Jimmie wanted us to hear. There, alone on that stage, Frank Newsome sang “Gone Away With a Friend.” I’m sure there were many others like me who were riveted and had a profound experience. On many levels it was one of the most powerful, spiritual, mournful, emotional, beautiful, and hopeful things I have ever heard. There is a purity about Frank’s singing that brings a soul-stirring, heart-tugging peacefulness that is beyond words.
I am happy to declare that there are many things worth remembering about my childhood. There are lots of memories that have evaporated over time, but the earliest sights and sounds that still ring the most clearly are those of music and singing. I have come to understand that the love of making music with one’s voice has long been a central part of my family. I may never know exactly how far back the story goes, but I do know that singing has to be just about as much a part of my being as living and breathing.
On a hot summer night in 2006, two friends took the stage at the storied old-time and bluegrass music festival in Galax, Virginia. One would would sing while the other played along. When the next friend’s turn to compete arrived, they would switch roles. While neither friend is a musical virtuoso, their love for the music and their belief in each other resulted in a very special sound that embodies much of the great musical tradition of southwest Virginia.
Flory Jagoda, a 2002 recipient of a National Heritage Fellowship, is known as “the keeper of the flame” of the once rich Saphardic Jewish song tradition. Flory sings the songs she learned from her nona (grandmother) as a child in pre-WWII Sarajevo – songs which have been passed down in her family since they fled the Spanish Inquisition in 1492. All of her ballads are sung in Ladino, a Judeo-Spanish language dating back centuries.
Susan Gaeta, an accomplished musician in her own right, demonstrates a deep intellectual and personal interest in carrying on this precious traditional art form.
Anyone concerned that traditional bluegrass and old time music may no longer resonate with today’s youth need only witness the masterful playing of Montana Young to allay these fears. At the tender age of 12, Montana has already been delighting audiences at fiddling conventions, festivals, and community jams for years, along the musically rich Crooked Road.