Every once in a while you come across an artist that just wows you. The Virginia Folklife Program has been lucky enough to capture a few of these artists in the studio. Below you will find a diverse selection of music from some of these wonderful musicians.
On a hot summer night in 2006, two friends took the stage at the storied old-time and bluegrass music festival in Galax, Virginia. One would would sing while the other played along. When the next friend’s turn to compete arrived, they would switch roles. While neither friend is a musical virtuoso, their love for the music and their belief in each other resulted in a very special sound that embodies much of the great musical tradition of southwest Virginia.
Flory Jagoda, a 2002 recipient of a National Heritage Fellowship, is known as “the keeper of the flame” of the once rich Saphardic Jewish song tradition. Flory sings the songs she learned from her nona (grandmother) as a child in pre-WWII Sarajevo – songs which have been passed down in her family since they fled the Spanish Inquisition in 1492. All of her ballads are sung in Ladino, a Judeo-Spanish language dating back centuries.
Susan Gaeta, an accomplished musician in her own right, demonstrates a deep intellectual and personal interest in carrying on this precious traditional art form.
Anyone concerned that traditional bluegrass and old time music may no longer resonate with today’s youth need only witness the masterful playing of Montana Young to allay these fears. At the tender age of 12, Montana has already been delighting audiences at fiddling conventions, festivals, and community jams for years, along the musically rich Crooked Road.
At the eastern end of the Crooked Road lies Ferrum College’s Blue Ridge Institute. Among their folk music archives is a scratchy 1970s recording of a bluegrass jam session at the Pulaski, Virginia Fiddler’s Convention. On it, a fiddler walks up with case in hand and asks if he can join in. After being invited to join, he gets his fiddle out and runs, no, blazes through a warm up scale – three octaves worth! Instantly, all present sense something extraordinary is about to happen. And it does, as the fiddler leads the group on a mad dash through a jaw-dropping rendition of Soldiers Joy, Liberty and Golden Slippers. When it’s over, someone from the thoroughly stunned group says, “Say, Mister, what’s your name?” “Pendleton, Buddy Pendleton” comes the reply in a modest unassuming tone.
Gerald Anderson and Spencer Strickland play with an exuberance and joy that is infectious. Whether they are jamming in the sawdust of their instrument-making shop, at a local performance in Grayson County, Virginia, on a festival stage, or in the recording studio, Gerald and Spencer play from the heart and never hold back.
Galax, the friendly town on the border of Carroll and Grayson counties is named for the galax leaf, a broad green leaf that carpets some woodlands, and has been used for generations for decorative purposes. Galax has produced musicians in prodigious numbers that has puzzled and delighted musicologists for almost a century. This process continues.
It’s easy to forget that most songs—particularly those in American folk, traditional, or popular music—rarely last more than three and a half minutes. We often forget this because the best of songs exude a timeless quality, and tend to unexpectedly revisit us—some might say even haunt us—throughout the course of our daily lives. A good song exists in a kind of “time out of time.”
Gin Burris was born in 1953 and has lived all her life in Carroll County, Virginia. Born to Roscoe and Ethel Lovell Burcham, Gin entered into a family with a profoundly rich musical heritage. Music has been a part of Gin’s life from the beginning. “Dad says that when I was born,” Gin recalls, “Dr. Beeken slapped me on the rear and I hit a perfect high C. That’s a little early for me to remember but if he says it, then it must be true!”